Post by PK on Aug 26, 2005 9:47:43 GMT -5
SOURCE: www.tarothermit.com/
Some time in the first half of the fifteenth century, somewhere in northern Italy, someone created the first set of tarot cards. Like the playing cards of the time, the tarot deck included number cards (1 through 10) in four suits, and court cards page, knight, and king. But the tarot deck had more: a queen was added to each of the courts, and 22 special cards, not belonging to any suit, were added. These special cards bore symbolic pictures, with such subjects as the Emperor, the Pope, The Wheel of Fortune, Death, the Devil, and the Moon.
The tarot cards were used to play a new type of card game, similar to bridge, but with 21 of the special cards serving as permanent trumps, which could be played regardless of what suit was led, and outranked all the ordinary cards. This Game of Triumphs, as it was called, became extraordinarily popular, particularly among the upper classes, and spread through northern Italy and eastern France. As the game spread to new locales, changes were often made in the pictures, and also in the ranking of the trumps, which usually bore no numbers. In time, tarot spread south to Sicily and north to Austria, Germany, and the low countries.
Centuries later, devotees of the occult arts in France and England encountered the tarot and saw mystical and magical meaning in the enigmatic symbolism of the cards. Their fascination with the cards led to the reputation tarot presently has as a divination tool and occult artifact.
One objective of tarot history is to trace the many changes the cards have undergone through the centuries, as they were taken to different locales and redesigned by different artists and cardmakers. Many variant designs are beautiful, intriguing, or provocative, giving us a window on the popular culture of different times and places.
A second objective is to find clues pertaining to the recalcitrant mystery of the origin of the tarot cards: What was on the mind of the original designer? Did the symbolic pictures have a deeper meaning and purpose, or were they merely game pieces? The question is surprisingly difficult to answer. We can gather some evidence from the art, literature, and popular culture of the time. We can also look at the cards themselves, and the occasional written references to them that have survived. From such evidence, it is possible to build up a picture of what the tarot symbols might have meant when the cards were first created. Different people, though, come up with very different pictures! The evidence is ambiguous.
On these pages, I display some of the pertinent evidence and present the conclusions I draw from it. I hope that others who share my fascination with the tarot will find this informative and thought-provoking, whether or not they agree with all my conclusions.
Some time in the first half of the fifteenth century, somewhere in northern Italy, someone created the first set of tarot cards. Like the playing cards of the time, the tarot deck included number cards (1 through 10) in four suits, and court cards page, knight, and king. But the tarot deck had more: a queen was added to each of the courts, and 22 special cards, not belonging to any suit, were added. These special cards bore symbolic pictures, with such subjects as the Emperor, the Pope, The Wheel of Fortune, Death, the Devil, and the Moon.
The tarot cards were used to play a new type of card game, similar to bridge, but with 21 of the special cards serving as permanent trumps, which could be played regardless of what suit was led, and outranked all the ordinary cards. This Game of Triumphs, as it was called, became extraordinarily popular, particularly among the upper classes, and spread through northern Italy and eastern France. As the game spread to new locales, changes were often made in the pictures, and also in the ranking of the trumps, which usually bore no numbers. In time, tarot spread south to Sicily and north to Austria, Germany, and the low countries.
Centuries later, devotees of the occult arts in France and England encountered the tarot and saw mystical and magical meaning in the enigmatic symbolism of the cards. Their fascination with the cards led to the reputation tarot presently has as a divination tool and occult artifact.
One objective of tarot history is to trace the many changes the cards have undergone through the centuries, as they were taken to different locales and redesigned by different artists and cardmakers. Many variant designs are beautiful, intriguing, or provocative, giving us a window on the popular culture of different times and places.
A second objective is to find clues pertaining to the recalcitrant mystery of the origin of the tarot cards: What was on the mind of the original designer? Did the symbolic pictures have a deeper meaning and purpose, or were they merely game pieces? The question is surprisingly difficult to answer. We can gather some evidence from the art, literature, and popular culture of the time. We can also look at the cards themselves, and the occasional written references to them that have survived. From such evidence, it is possible to build up a picture of what the tarot symbols might have meant when the cards were first created. Different people, though, come up with very different pictures! The evidence is ambiguous.
On these pages, I display some of the pertinent evidence and present the conclusions I draw from it. I hope that others who share my fascination with the tarot will find this informative and thought-provoking, whether or not they agree with all my conclusions.